Friday, 30 April 2010
Skills Audit; Filming
Skills Audit: Editing
Before beggining editing, our way of keeping all our shots organised was to arange them in order and rename each shot. This allowed us to allocate each shot easily once they were imported into final cut pro.
By then following the storyboard we was able to start putting the shots onto the timeline including extra shots we had filmed. For the changing of scene we put in "fade" edits to allow our film to flow. We began our shots with the woman in a urban enviroment. This gave the film an instant calm feel. Soon as the scene begins to change the normality of our film begins to disapear and the audience will realise somethings wrong with this "woods" setting. In order to make our "wood" settings stand out more, we changed the speed of the shots to a slower pace and added a black and white effect to some of them.
Changing the shots to differeng setting also allowed us to create an elipses. Cutting to the "wood" shots then back to the woman meant that we could skip time and put her in a different place each time rather than filming her whole movement.
The last shot of the woman throwing away the key was our most meaningful shot of our opening. The woman throwing away the key implied that she had something in her past she wanted to hide and she was doing this by throwing away the evidence to it.
Skills audit: Filming
During our filming process we spent 2 days filming.
For both days of filming we brought our storyboard along with us. This aloud us to follow what we had planned and reminded us what we wanted to do. Aswell as this, being in the setting also aloud us to realise other shots we could include.
We spent one day (saturday) up Highgate woods. We found it difficult filming in the woods as we were only filming the setting and not an action therefore deciding the shot angles etc was a struggle. However we filmed Tracking shots, Panning shots, High angle shots, Low angle shots, Establishing shots. When filming we just experimented with these types of shots and all took turns with the camera, to see if each of us could make these shots work in different ways.
Our second day of filming was the following tuesday at London Bridge. In order to film in the station we had to get a permission pass from the station offices. Once we started filming there was a lot of people around. In order to ensure that our shots were not disturbed by the people around us we filmed each shot a number of times. When filming the "tunnel shots" the area was a lot less busy therefore only had to take around 3 takes of each shot. However because of this we decided that we had extra time therefore filmed the shots in a number of different angles to give us a wider choice when editing. The bridge shots were most difficult as this road was very busy one minute, and the next minute only had a couple of people on it. This meant that when we were filming a tracking shot, people would walk in front of the camera or people who were vising the area would wave thinking we were famous.
On both days of filming we had to film a 2minute sound shot of each setting we used. This was so that if we wanted to use natural sound in our final piece it would match up.
Overall i enjoyed our filming experience. It was hard work but our whole group was very pleased with the shots we ended up with.
Changes in light of feedback from rough cut
When recieving feedback from our rough cut we were told that there was not much to split our shots of the woman from the wood shots. Although we planned on letting the music create the distance between these two shots, we also decided to change the wood shots slightly. On final cut pro we learnt how to slow down the motion of the clips and we also took away the colour leaving some of the clips in black and white. I think this gave these shots a more "thriller" feel to them.
Although we had not added the sound in our rough cut, when watching it back, we realised and so did others that some of the natural sound in our shots could not be used. There was a shot in the woods that we could not use the natural sound on as you can hear football players shouting in the background. There was also a clip of the woman on the bridge that we could not use as before the clip end the members of our group begin to talk. However we fixed these faults when adding sound so it did not effect our final piece.
Tuesday, 27 April 2010
Evaluation


In what ways does your media product use, develop or challenge forms a



Friday, 23 April 2010
Amber Bradley's Evaluation


Our film represents an urban middle class life, whe

This bag belongs to Jennifer. She is a 26 year old woman who works as a receptionist in a solicitors firm.
· NOW magazine
· Diary and Pen
· Purse
· Hand cream
· Selfridges Receipt
· Water Bottle
· Blackberry
· Cinema Discount Vouchers

T'sharna Bernard's Evaluation

In our film "Twisted"we set the two different scenes at the beginning of the film. This was the train station and the forest. In the station was where the antagonist character was introduced.
In the photo
above (which has been taken from art of the title sequence) from strange days, they used a close up shot of the main prop, the gun. This was done to show the audience what the main props were. we as a group decided to show a close up with our main prop, the key in the characters hand but she was playing with the keying.
The last shot in our film was a close up still shot of a hand, this was done to create suspense and to get the audience wondering but ours was in the forest under and bunch of leaves where as the hand in the image above is not underneath anything and i don't think it is used to create suspense.
How does your media product represent particular social groups
Marathon man opens and sets the scene with a man running around the park in the city. 'Marathon Man' can be compared to Twisted because both films open with someone walking or running somewhere, although in Marathon man, the man that is running is the protagonist where as in the film we produced Twisted it is a woman walking and she is the antagonist even though the audience don't become aware of this until the end of the film.
At the end of the film Twisted, the audience see a character, who hasn't been introduced before, they don't know who it is, or what has happened to them and why they are there. They audience
also don't know whether this character is a protagonist or an antagonist.
what kind of media institution might distribute your media product and why? how will you attract/address your audience?


Thursday, 1 April 2010
Planning The Preliminary Match Cut
story board
Skills Audit; LiveType And Soundtrack Pro
Health And Safety Tutorial
Pitch
Friday, 26 March 2010
Rough Cut of Thriller Opening
Monday, 22 February 2010
Planning Preliminary Match Cut Exercise.
For this exercise we need to include
- A match cut
- Dialogue
- Shot reverse shot
Our plan was to have one character walk down the corridor into a room and the match cut will show her entering the room.
We then planned to have another character sitting in the room and the characters to end up sitting opposite eachover. They would then start to talk which will be the use of dialogue and we will show this using a shot reverse shot.
Final Edit Of Livetype and Sound Filming Practice
The Bag Swap
To get used to using the camera and prepare us for our Thriller Opening Sequence, we did an excersice in class called "The bag swap."For this excersice we had to plan and film a short video of 2 people swapping bags. In class we created a story board to prepare us for this task and to make our filming schedule clear to us all. We shared the task of drawing the pictures and planning the shot between the 3 of us and all had an equal input. We decided that Josh would be in charge of the camera and me and T'sharna would be in the shots. Our location was college because of the time we had and because we thought that the use of the college lift would be a good way to catch the "Bag Swap."
Whilst filming, we included techniques such as; handheld camera, elipsis, tracking... We also used zoom, wich we realised does not look good on a moving shot.
Once we filmed our shots (this took 1hour), we went back to the classroom and used Final Cut Pro, to edit our shots into a sequence. We all worked togever closely for this task as it was our first experience of editing so we all wanted to get the practice in. Once we edited the shot into the sequence we wanted, we used Livetype to import the title into the sequence. We also used the programme Sound to import the music we felt matched the sequence.
Skills audit: Livetype and Sound

Livetype is a programme which allows you to create texts and then edit it including;
background
colour
styles (etc)
This image can then be improted into the edits on final cut pro. This would usually be used for the title of the sequence, or for credits and other possible reasons.
Sound is a programme which has loads of different music, that you can play and imerge with other sounds. It allows you to create different feelings and make the music your own. When imported onto final cut pro, it adds effect to the sequence.
Thursday, 18 February 2010
Intoduction to cameras & health and safety tutorial
We learnt how to set up the tripod and how to change the height and angle of shots using this tool. We also learnt what the buttons on the camera meant, aswell as learning how to focus the camera, insert our memory cards correctly, and other simple rules e.g. do not zoom whilst shooting.
After this tutorial we had the draw up a Story Board of a short sequence we were going to create called "The bag swap." The story board allowed us to discuss the shots we were going to use, and allowed us to have a cleared idea of what out final edit would look like. We only had 45minutes to film our shots so we decided to stay on site for this excercise.
Friday, 12 February 2010
How Is Suspence Created In Collateral?

Final Cut Pro; Bait Tutorial
To be able to make an opening sequence for our Thriller Opening Sequence you have to be able to use Final Cut Pro. Our class had a bait tutorial which teaches us how to do skills on the apple mac computers.
When final cut pro is opened there are four different sections; the timeline, the files, the canvas and the viewer . All of the shots are located in the canvas in the top left of the screen. The timeline is where you create your final piece of work. To drag a shot into the timeline you have to select the part of the shot you want to do this, you need to decide where your in and out points are, for this you have to press 'i' from where you want it to start and 'o' from when you want it to end.
Thursday, 11 February 2010
Final edit of Livetype and Sound Practice
To get used to using the camera and prepare us for our Thriller Opening Sequence, we did an excersice in class called "The bag swap."
For this excersice we had to plan and film a short video of 2 people swapping bags.
Once we filmed our shots (this took 1hour), we went back to the classroom and used Final Cut Pro, to edit our shots into a sequence. We also used Livetype and Sound to finish off our sequence to the standards we required it to be.
Wednesday, 3 February 2010
How Suspense Is Caused In "Marathon Man"

Marathon man is a 1976 thriller based on the novel of the same name by William Goldman. The films stars Dustin Hoffman as the protagonist , Thomas "Babe" Levy, Roy Scheider as his brother, an undercover agent, and Laurence Oliver as Nazi dentist and war criminal, Dr. Christian Szell.
Through out the film there are countless times when suspense has been built up in a number of different ways. A first example of how suspense is caused is near the beginning of the film, when the car chase between the two old men is taking place.
Monday, 1 February 2010
Technical ordit or Bait Tutorial

Friday, 29 January 2010
Sherlock Holmes End Credits

Art Of The Title Sequence; Sherlock Holmes
